Friday, December 14, 2007

11 Days Of Tanya Tucker - bub111 Girls Like Me

Can you even believe we’ve made it through all 11 days already? If only I had enough gumption we could have done the 23 days of Tanya Tucker to include every single album she’s ever done but with our latest CD, we have the last of my re-issues, the rest of her albums from here on out are fairly easy to find on the internet or in the stores. Some are probably out of print but they were all huge sellers so they are easy and cheap when you find them – and most importantly they are all frickin’ brilliant. That’s right, I said it – I said BIG SELLERS and BRILLIANT – so what happened you ask? Didn’t you post yesterday that everyone thought she was washed up at the ripe old age of 28? Well, yes I did but my friends along came Girls Like Me – where her mesh of pop and country finally came together in sheer brilliance - and it just so happens to be our last Tanya album in the 11 Days Of Tanya Tucker!






bub111 Tanya Tucker – Girls Like Me
December 11, 2007
Original Release: February 1986
Capitol Records #12474


I don’t think there was ever anyone in the country music industry who doubted Tanya Tucker’s talent – from the minute she belted out “Delta Dawn” at age 13 until she signed with Arista in 1983, everyone knew she could sing. But a few cases and missteps in the eyes of industry boys and radio left our girl in a bit of a pickle. What was she going to do if she couldn’t sing and record? Was she going to retire at 28? Was she just going to fade away…. Not our little Miss T… instead somebody with a very good lick of sense signed our girl to Capitol Records in late 1985 and what transpired was a whole new breath of Tanya loving including a string of hit singles and albums that would last all the way through the late 90’s.

A few things happen to make Girls Like Me a very special album. First and foremost the songs are all incredible. If I’ve ever said there were a few low points on some of these past albums rest assured there isn’t a dull moment on this album. There’s also a revitalized Tanya in the voice, not that she has ever sounded bad or tired but there is just something brilliant about the way she performs these songs, a performance that lasts to this day – again I have to say had she not made those rock and pop albums I don’t think she would have ever found the voice she uses on her later recordings.

Two other reasons stand out for the brilliance of Girls Like Me – the return of Tanya’s favorite producer Jerry Crutchfield and the addition of songwriters Paul Davis and Paul Overstreet. Jerry will go on to produce every album she releases from this 1986 album through 1995’s Fire To Fire. The two Pauls will write numerous songs together and individually for Tanya through out the years and even duet with her on 1987’s #1 single “I Won’t Take Less Than Your Love.”

The most important thing Girls Like Me brings for me is the fact that this is the album where I truly discovered Tanya Tucker. Now I was quite young when Tanya was flashing her way through the tumbling 70’s but I was well aware of “Delta Dawn” and the TNT and Tear Me Apart albums, and I recall sitting at my Grandma’s coloring pictures when I heard “Should I Do It” on the radio, then of course with Glen Campbell, she was on every magazine when I was a wee one. But by the time Girls Like Me came out, I was older and wiser after all I was going through puberty.

While driving with my mother one day she had on her favorite country radio station when the opening guitar of “I’ll Come Back As Another Woman” started playing, and there was Tanya – raspy, sassy, bitchy and bluesy – with each verse I turned it up just a little more until finally on the bridge Tanya growled, “You’ll hear the echo of my prooomiise/ how you left and how I cried/ the one you finally give your heart toooo/ will leave you crying in the night….” I almost fell out of the car. This was the most intense performance of a country song I had ever heard. And with that Tanya T was back in my life. But more importantly she was back in everyone’s lives.

“I’ll Come Back As Another Woman” with its clever little take, not on reincarnation so much but as in “Some other woman is going to make you fall in love with her and then she’s gonna fuck you over just like you did to me..” only in more clever lyrics of course. “Someday you’ll wake up with your arms around your dream/ the love that she will make to you will be too good to believe/ you’ll say ‘I love you’ and for once it will be true/ you fall to fast to realize who you’re talking to…” I love it!

By 1986 our girl had been trhough life, she had been through drugs (and would continue to go through drugs actually until a forced Betty Ford stint in '88), and when I think of tough Tanya – the Texas Tornado, Ms. Bad Ass – I realize it’s this Tanya – the new Tanya of 1986 – the Tanya that would end up dominating the country charts from 1986 through her last album of 2002 where she still managed to have top forty singles.

And so it is Girls Like Me that becomes the ultimate in the Bubbatunes Tanya Reissues, and again it’s the songs that make this album (and those that follow) so great. I could almost see Tanya and Jerry picking out song after song deciding on one only if it sounded like a single because every single one of these gems probably could’ve been a hit.

The first single in fact wasn’t even the one I heard on the radio so many years ago – instead it’s the catchy first song “One Love At A Time” that actually sets up the whole resurgence of Tanya mania. Easily believable as a problem Miss T may have she wonders, “one’s got a birthday – it’s in December – which one’s in July – I can’t remember…” Poor girl, the whole having two men for lovers is just tearing her up and the song scored all the way to #3 on the charts making it her first top ten hit since “Can I See You Tonight” in 1980.

The second single, released in the summer, became her first #1 since “Here’s Some Love” a full decade before – the single “Just Another Love” has our girl tempting fate with a bad, bad man – “Well I’ve never been burned so I guess it’s my turn/ I’m gonna give your love a try…another love/ just another love/ I don’t want to be just another love on your list of hearts/ you’ve torn apart/ then cast them aside/ oh can’t you see/ that I don’t wanna be/ I don’t wanna be just anther love in your life…”

“Just Another Love” is a fast little country ditty, full of spirit and I do love it, but personally I think either “One Love At A Time” or “I’ll Come Back As Another Woman” should’ve been the #1, but hey MY single fav – “I’ll Come Back..” was finally released as the third single and it scored at #2 on the charts. That’s right, three top 3 singles all in a row – that’s how frickin’ good this collection is.

There was even a fourth single released – the ballad and such a good ballad at that – “It’s Only Over For You” which hit #8 – it shows the tender side of T, but even when tender, she can rip out your heart with her scratchier vocals and ‘been there been hurt’ delivery – “as I watch you falling in love/ you can’t see me falling apart/ and even though you hurt me I know/ I still love you with all of my heart/ but I won’t hide my face in a stranger’s embrace/ when we dance into each other’s view/ no don’t be surprised at the tears in my eyes/ cause it’s only over for you…” Just her incredible emphasis on every syllable and every note will make you feel for the poor girl – that is talent.

But the singles aren’t the only great things about Girls Like Me – for the very best thing on the entire album is found in the title track – a semi-poppy country song featuring keyboards and a little bit of an 80’s sound, but it’s once again the lyrics and the delivery of those lyrics that make it the best cut on the entire album – “Some girls have someone they can rely on/ they have a mailbox made for two/ well I feel that same need/ to have someone to lean on/ but that’s something I just never learned to do…” and chorus one, “Girls like me/ we believe in/ passion found on some secluded beach/ it’s hard to please a paperback dreamer/ always holding on to something out of reach/ love may never come that easily to girls like me…” Oh it is so frickin’ good, I put it on compilation CDs all the time, I listen to it on its own cause I love it, and I’ve included here cause you have to hear it too.

The sensitive, I’ve been hurt and I should know better is a theme that permeates the album. She isn’t singing little ballads to make you weep about how she’s just a poor little girl and the big old mean man hurt her so much she wants to die – no, not Tanya, she will tell you all the nitty gritty details of how she got screwed over but by the next song she’ll tell you how she’s going to get even, or at least continue on – “Fool Fool Heart” is an excellent interpretation of her ‘matter of fact’ attitude that I have come to love – “I thought I learned the last time around/ if I don’t trust my heart/ I won’t be let down…” Once again her performance is brilliant.

The one upbeat love ballad “You Could Change My Mind” also contains some lines about how love has kicked her ass in the past – “I swore I’d never fall in love again/ only a fool would go back where I’ve been/ once the heartache finally faded to an end/ I swore I’d never fall in love again…” and the chorus where she rips it to shizz – “But you, you could change my mind/ turn my heart around/ make these walls come tumbling down/ for you love could live again/ and it could be the real thing/ the true old fashioned kind/ oh you, you could change my mind…”

I’ve always been a big sucker for story songs – and though those touching little country ditties of mothers, children, grandparents dying are fun – I much prefer the ones where no one actually gets offed, we just live their story together. Of course Miss T has always had story songs but for Girls Like Me, she takes a poppy country tune and tells us the story of a boy in a hopped up Ford on his way to rob a liquor store because all he thought he needed was a little bit of cash to roll on – oh yes, it’s the little ditty known as “Somebody To Care”.
As the boy heads into Waco to rob the store (though he’d never robbed one before) he finds a girl on the side of road holding a sign that says, “San Antone” – he picks her up telling her he could take her to the other side of Waco, and she tells him all she really needs is a good timing man with a little time to spare and you guessed it, all either one of them really needed was somebody to care. I still love this song.

But I’m saving two of the best for last (and for your download) – the gutsy, heart wrenching, crotch grabbing, bluesnapping (??), dirty and deep “Daddy Long Legs.” Now there’s a couple things about this song – some good some bad.

Of course there is no bad in Tanya’s smoky performance of a man with the heart of a snake, who is ‘the kind of man who doesn’t have to talk/ he gets what he wants by the way he walks/ long legs moving in a pair of Levi’s/ looking so good it hurts my eyes…” This song is just a heap of a good ol dirty fun and Tanya’s oohs and growls is pure sexual in only that TT way. The thing that is mildly disturbing about this hot bed of sexual innuendo is that we always called my daddy, as in my father, daddy long legs. Let’s not even go there.

When I finally got around to buying the Girls Like Me album (on vinyl none the less – because that hot cover pic of Tanya would be bigger than on the cassette) imagine my ultimate surprise when we got to the final cut of the album and it was a cover of one of my other favorite scratchy voiced chanteuse – an excellent cover of Kim Carnes’ “Still Hold On” which happens to be one of the best songs Kim has ever written and one that Tanya totally makes her own here.

The lyrics are incredible and though Tanya keeps pretty much the same arrangement as Kim did on her version from 1981’s Mistaken Identity album – Tanya still manages to sing it with every ounce of her own conviction – “If I told you tonight that I was leaving/ would you walk away/ would you say lies that I wanted to hear/ and if I told you tonight that I loved you/ would you call my name/ take the blame/ or turn it all around again…” It’s an awesome lyric, it’s an awesome song, it’s an awesome performance.

As you have probably figured out Girls Like Me is a true highlight in the Tanya Tucker catalog and though it was released on CD once in the early 00’s, it is almost impossible to find and my artwork – along with the lyrics and such, make it so much better and definitely an album I HAD to have on CD.

For her next album Love Me Like You Used To, Tanya proved that her new found success was no fluke – that album alone would spawn two #1 singles plus another top ten hit, and all of her next albums – Strong Enough To Bend, Tennessee Woman, What Do I Do With Me, Can’t Run From Yourself, and Soon – would all spawn at least a #2 single and sometimes higher. Tanya was back and she took it all back with her. This is the true version of Tanya that everyone should have and love – for these are all the albums that provided us without any filler – every single song on every single one of those albums is a gem and it all started here with Girls Like Me.

Tanya Tucker – Girls Like Me (bub111)
Track List:
01. One Love At A Time 02. I’ll Come Back As Another Woman 03. Fool Fool Heart 04. Just Another Love 05. Girls Like Me 06. Somebody To Care 07. It’s Only Over For You 08. Daddy Long Legs 09. You Could Change My Mind 10. Still Hold On

Listen to these ditties and love up a girl like me… or you… oh you know Miss T at her finest:

Tanya Tucker – Girls Like Me
Tanya Tucker – Daddy Long Legs
Tanya Tucker – Still Hold On
Download entire album and artwork:
TANYA TUCKER - GIRLS LIKE ME

Incidentally, I didn’t upload any of her big hits from Girls Like Me, as you can find them and should find and buy them on numerous Tanya collections – and by all means go and find the next set of albums – Love Me Like You Used To, Strong Enough To Bend, Greatest Hits (1990), Tennessee Woman, What Do I Do With Me, Can’t Run From Yourself and Soon – for starters – they’re all on CD and they’re all brilliant….

And thus concludes our 11 Days Of Tanya Tucker – I hope you had as much of a blast as I did – for now, I’ll be ridin’ rainbows til we meet again...

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Wednesday, May 02, 2007

New To You

First and foremost - THERE ARE ONLY 20 DAYS UNTIL MY BIRTHDAY!!!

okay now that my announcement is out of the way, let's look at a few Bubbatunes I put out a few weeks ago but forgot to talk about...

so let's take a look at a bit of 80's pop/rock new wave and reminisce as we all get ready for my birthday... today we look at some gems by Martha Davis, Toni Basil and Bonnie Hayes & The Wild Combo, so let's hop to it.

bub81 Martha Davis - Policy (March 27, 2007; 1987)
Nearly 20 years after its initial release, I took my vinyl copy of the Motels' lead singer Martha Davis' solo album. As it is, Policy actually started as a Motels album but midway through it, Martha took each boy of the band to the bar, bought them a drink and told them the Motels were over. No one seemed all that horrified as it turned out and Martha just went back to the studio with Richie Zito and continued on. For some reason, the album didn't catch fire at all reaching #127 on the Billboard album charts in November of 87 while the first single "Don't Tell Me The Time" another of Martha's clever little love done gone wrong lyrics hit #80 in the US. The music is all 80's rock though not as obvious as the Motels' Shock album from 1985. In fact, a renewed fire seems to be in Martha's gullet after the demise of the Motels but even the catchy opening tune "Tell It To The Moon" (written by wonder hits writer Dianne Warren) didn't score on radio or in the public. But I get more and more into the album each time I hear it, the jazzy reggae-ishness of "Don't Ask Out Loud", the sassy and jumpy "What Money Might Buy" and "Lust" (another new Martha fav of mine) and my ultimate, the revenge tale found in "Rebecca" where the title character is there describing the dead man on the floor as if she didn't know him or anything about him while under breath she sighs, "I'm free/ he'll never do this to me again." It's awesome.

Policy was put out on CD when it initially came out and a quick double check at Amazon just found some used copies going for $35 which is a little less than the $80 I found Little Robbers going for, but still, come on. The big credit to the original CD is it has a bonus cut called "Bridge Of Sighs" - a song I never heard and still don't have in my collection, so for our bonus cuts it appears we are one short. But that doesn't mean Bubbatunes didn't put some great ones on here. Included as bonus cuts is Martha's demo version of "Take My Breath Away" which ended up being recorded and released by Berlin, "Nightmares" a rocky little song she recorded for her friends film Night Of The Creeps (1986), "Next In Line" a 1986 demo, a duet with Sly Stone on Joan Armatrading's "Love & Affection" from the film Soul Man, a little ballad ditty of "I Can't Believe" from the film Miracle Beach, and a duet with Ivan Neville called "You Got What It Takes" which ends with a bonus in a bonus as there is a hidden track called "Mary & Billy", and one of the coolest finds, a version of Patsy Cline's "Crazy" that Martha recorded with her friend Bobby Woods in her garage, made just because he wanted to hear her do it.
Martha Davis - Policy bub81 Track list: 01. Tell It To The Moon 02. Just Like You 03. Heaven Outside My Door 04. Don't Tell Me The Time 05. Rebecca 06. What Money Might Buy 07. Don't Ask Out Loud 08. Hardest Part Of A Broken Heart 09. Lust 10. My Promise - bonus tracks - 11. Take My Breath Away (demo) 12. Nightmares 13. Next In Line 14. Love & Affection 15. Crazy 16. I Can't Believe 17. You Got What It Takes

bub82 Bonnie Hayes & The Wild Combo - Good Clean Fun (March 27, 2007; 1982)
One of the more overlooked gems of the early 80's new wave movement, Bonnie Hayes still makes albums every now and then but they aren't of the same type of music as this. Opening with the one two bang of "Girls Like Me" and "Shelly's Boyfriend" which though neither hit on any chart I'm aware of, became synonymous with the film Valley Girl which featured them, particularly "Girls Like Me" which not only opened the film but was also the girls anthem at their slumber party (though if you look at the record on the turntable you'll see it isn't Bonnie Hayes - oh those crazy film people.) Besides the ultimate thrill of those two cuts, the rest of the album continues a similar vein, due I'm sure to the fact that every song is written or co-written by Bonnie Hayes. The female empowerment of the opening tracks is also found on other little gems and the fast paced hiccupy delivery of Bonnie Hayes keeps all of Good Clean Fun rallying through a genre that brings back so many memories. After one listen I have to go back and play it again, then listen to Josie Cotton and finally end up watching Valley Girl, it's a very tiring process.
Bonnie Hayes & The Wild Combo - Good Clean Fun bub82 Track List: 01. Girls Like Me 02. Shelly's Boyfriend 03. Separating 04. Dum Fun 05. Coverage 06. Inside Doubt 07. Joyride 08. Loverboy 09. Raylene 10. The Last Word

bub83 Toni Basil - Toni Basil (April 3, 2007; 1983)
Toni Basil's Word Of Mouth from 1982 launched the phenomenon that was "Mickey" but that album was so much more than just that single, using members of Devo and new wave producers, Word Of Mouth is a great little gem of early 80's new wave pop and one of the most overlooked of all time, and though Toni Basil, a choreographer and dancer by day, made that album just so she had some videos to dance to it was inevitable that Chrysalis would have her put out another album. Her self titled follow up came out a year after the huge success of "Mickey" and I'm sure it's no surprise to learn nothing off of Toni Basil scored quite as big. There may be several reasons for that. The main one perhaps is that "Mickey" was just too damn catchy for its own good, it overshadowed anything on that first album so there wasn't really a way to redo that same thing on another song and album, and the main thing is Word Of Mouth is really a new wavey album where Toni moved into dance synth pop for her followup. It makes sense as she is the dancer girl and if you want to dance why bother making a rock album right? But the album itself is good, no matter what others may have said in the past, the opening single "Over My Head" is catchy while "Suspense" is a riot, combining the dance synth pop with total 80's new wave lyrics about espionage, I love it. "Space Walkin' The Dog" tries to recreate some of the more silly elements of Word Of Mouth and doesn't completely fail but doesn't actually succeed either. "Street Beat" puts out the cheerleading stomps of "Mickey" with mixed results only if you compare it to the hit single, on its own it's catchy as all hell. Regardless, Toni Basil is a nice look at the early 80's dance pop that was taking off and would be utilized in another album that came out that year, the self titled Madonna. The bonus cuts include the dance 12" remixes of the singles "Over My Head" and "Suspense" plus the edited single version of "Street Beat" and the ultimate for any Toni Basil fan, her performance of the song "The Night" from the film Rockula, though I must admit my version isn't all that prestine. I had to tape it off a You Tube version of the song and the sound, though I fixed it up is still relatively poor. So if there's anyone willing to part with an mp3 version of "The Night" I'd gladly send you a copy of this entertaining Toni Basil album. And for those of you, not familiar with the hotness that is "The Night" and Toni Basil, check this out at You Tube.
Toni Basil - Toni Basil bub83 track list:
01. Over My Head 02. I Don't Hear You 03. Easy For You To Say 04. Suspense 05. Go For The Burn 06. Space Walkin' The Dog 07. Street Beat 08. Do You Wanna Dance 09. Best Performance bonus tracks - 10. The Night
next week we have a few more Bubbatunes on the way... for now, we return you to shopping for my birthday!

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