Friday, June 13, 2008

Friday Fun - Random CDs

Looks like I'm on a roll this week and actually have some posts - you know things to talk about - and since most of what I do is listen to tunes and most of what I talk about is music - here is the return of the random CDs. A little post and semi-review of what I've been bee bop buzzing around to.

CYNDI LAUPER - BRING YA TO THE BRINK (2008) It's actally kind of a clash of divas this week as some big shots came out with some new albums recently including Miss C - the deadly Cyn and her dance album Bring Ya To The Brink. I'm not the hugest fan of dance music but there are times you just want to bop, plus most of today's new dance music is just a throw back to 80's pop it seems and plus it's frickin' Cyndi and she can sing the phone book over a couple drum machines and it would probably make me happy. I say probably because on first listen this album didn't jab me the way every previous album by Cyndi has done. Opening with some guitar loops and a little thump "High & Mighty" is just too repetive but then comes the new single "Into The Nightlife" and once she hits the chorus I'm back in love, "pitter patter doesn't matter" she tells me and she's so right. Plus the great thing about Cyndi is most of her lyrics are always pretty upbeat - she wants people to feel good, particurlarly good about themselves and it comes shining through one the whole second half of the album. Cyndi never fully flies onto the dance floor like say Vadge Ciccone but Cyndi has always had more soul and to me relevance and so this little dance album just ups the ante in my eyes. Best cuts: "Into The Nightlife", the fun and bitchy "Same Ol Story", "Lay Me Down", "Set Your Heart" and just about everything else has moments of her glory - her voice is awesome.

DONNA SUMMER - CRAYONS (2008)
Where Cyndi's dance album relies heavily on synth beats and more subtle tones, our next diva declares not only in song but on the promo sheets as well "THE QUEEN IS BACK" and she ain't messin' with you. Donna Summer returned last month with her first album of new material since 1993! Crayons and its black and colored (and very much airbrushed cover photo) completely stands out and deserves to have reached #17 the week it came it out - her biggest in a long long time. Donna has a ton of collaborators on this very High NRG piece and it opens on a strong beat, practically throwing you onto the floor with "Stamp Your Feet", also highly infectious and pushy is the aforementioned "The Queen Is Back" with such clever lyrics as "so many years ago/ on the radio/ she loved to love you..." Gee who could she be talking about? Donna's voice is superb (as always) and each song is catchy as hell - my ultimate two favs are actually where she takes a break from the dance mode for a few moments - the title track is a duet with Ziggy Marley so it of course has a reggae-ish beat and the subject matter is every getting along despite color lines which makes it all that more enjoyable to me. I love it. I also love her poppy ballad "The Sand On My Feet" which could totally me my wedding song and a hit on pop radio for sure. With Crayons I think Donna has made one of her best albums yet and I can't stop frickin' listening to it. So buy it! Best cuts: "Crayons", "Sand On My Feet", "The Queen Is Back", "Stamp Your Feet"

DONNA SUMMER - ONCE UPON A TIME (1977)
Listening to Crayons got me so excited I decided it was time to bring out other classic Donna and just a few weeks ago I was at Amoeba when I stumbled across her 1977 set Once Upon A Time and luckily I bought that sucker up. I don't think anyone has ever given her enough credit.
What a complex little world Miss S lived in – “once upon a time there was a girl..” a girl and two boys actually who knew how to throw down grooves – be it pop standards, disco or electronica. Released in 1977 this was the first of four double albums released by Donna – all of which were huge hits which in itself is terribly unheard of.

Anyhoos, the whole concept and yes there is a concept here is that of a fairytale love – opening with the disco swinging title track we follow our heroine through her journey to find love only to see her stumble through life (the excellent and some what rock ish “Faster and Faster To Nowhere”), having to work the midnight shift, finding a love, losing the love and in the end having it all come around again.

It’s completely brilliant and Donna’s voice is of course amazing but it’s the whole ‘fairy tale’ concept that keeps this thing going through all these songs. Plus Donna with Giorgio Moroder and Pete Bellotte came up with everything – there’s voice overs, there’s strings, horns, super cool electronics.

For some reason the album didn’t lend itself to singles very well as the only two singles released were “I Love You” and “Rumour Has It” – both of which are at the tale end of the album (i.e. once true love has come) but that doesn’t make this a loss at all – in fact it just makes it a stronger album.

Between Crayons and Once Upon A Time I am on a Summer kick. I just went to Amazon and got A Love Trilogy and Four Seasons Of Love – two albums with I Remember Yesterday – were the albums that preceded Once Upon A Time… I’m going to have me a fairy tale life too.

OLIVIA NEWTON-JOHN - Totally Hot (1978)
After seeing Miss ONJ live in the flesh singing her songs for the very first time I swear I was beyond ecstatic - I had forgotten that I didn't even pee in the last 15 minutes and almost wet myself a little in excitement. So the following day when I had to walk to work I decided I needed a litle OnJ to kickstart my day. Luckily being the fan I am, I have them on remastered CD - thank you the land down under for your faboo imports.

Totally Hot was the first post-Grease album our girl released and she didn't pull out any stops - lookin' sizzlin' and totally hot on the album sleeve she decided to amp up the pop/rock a little bit and came out with two of her best singles, "A Little More Love" and "Deeper Than The Night" but the brilliance of that which is Olivia is everywhere. Opening with a piano/bass/almost dance song "Please Don't Keep Me Waitin'" turns into Olivia as an instrument - she is shrieking and scatting at the end and you can't tell if it's a synthesizer or her voice - it's one of the oh so many reasons I love her.

As anyone who knows our girl knows - she loves her ballads and she loves her country music so we have both in "Dancin' Round And Round" which isn't nearly as stimulating as her other two ballads - "Boats Against The Current" and my ultimate fav "Borrowed Time" which has super trouper Olivia vocal overdubs. Plus she rocks out a little (in pop style) with a cover of "Gimme Some Lovin'" and the excellant title track. You must have this you simply must. Best Tracks: "A Little More Love", "Totally Hot", "Deeper Than The Night", "Borrowed Time" - oh who am I fooling they're all great!

Next week there’ll be more and more CDs to talk about as I’ve been on another buying spree – so stay tuned because you know my opinion is oh so important in these matters and besides I know you’re itching to find out what I’m listening to.

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Tuesday, May 15, 2007

Bee Bopping With Bubbatunes

ONLY 7 DAYS UNTIL MY BIRTHDAY!

For today's Bubbatunes we head back to that decade of decadence, the 80's.. how I love the 80's and how I love today's performer - Cyndi Lauper. She has everything - first and foremost she can sing, then there's the whole ever changing looks and styles, that hilarious hiccupy Brooklyn voice, her charisma, her sense of humour, her overall unending talent and her sense of human rights. This year Cyndi spear headed and is headlining the True Colors tour for the Human Rights Campaign which only makes me love her more. Plus the fact she totally reminds me of my bestest friend Lisa Glassford - all this in a small little powerhouse package and I'm a fan for life.

Unfortunetly her record company hasn't really packaged her albums the way I think they should be. Her debut megahit She's So Unusual had a remastering a few years aog and the sound is incredible and they even put on bonus tracks but to me they missed the boat by not including a few rare essentials so it was up to me to put out a Bubbatunes version of She's So Unusual. For her next foray into recorded music, Cyndi gave us True Colors which has a CD release by CBS Records but doesn't have any bonus tracks or remastered sound, so once again it was up to me.

If you haven't figured out by now, today's Bubbatunes are Cyndi Lauper's She's So Unusual and True Colors, so let's get she bopping...

bub86 Cyndi Lauper - She's So Unusual (1983; May 8, 2007)
She's So Unusual hit the record stores in very late 1983 and with the help of the lead single "Girls Just Want To Have Fun", the album pretty much took over 1984. I love this album, with Cyndi's crazy antics in full mode for such hiccupy new wave tracks as "I'll Kiss You" and "Yeah Yeah", both of which could be new wave anthems, plus the hit single "She Bop", the album is infectious from beginning to end.. and what a beginning... We open with "Money Changes Everything" a straight up rock/pop song about leaving your lover cause you got money, the video was done as part of a Cyndi live concert and the performance is incredible - when I lived in Idaho, I had the VHS Twelve Deadly Cyns video and I can't tell you how many times groups of people were at my house watching the tape and how impressive it was seeing Cyndi belt out the number while being flown across the audience in a little barrell - the recorded number isn't quite as intense but it is really superb (note I did include that awesome live performance as a bonus track, as did the original CBS Records CD) and one of only a handful of songs to feature a hooter (the instrument and the band members), a cover of Prince's "When You Were Mine" is yet another highlight particurlarly in the fact she doesn't change the lyrics from the orginal so when she sings, "I know you're with another guy..." it adds a whole new dimension. The song is dirty and fun and Cyndi does it brilliantly. Then we head into the other extreme with the second single and Cyndi's first number one "Time After Time" which still stands up today as one of the best ballads of all pop music. "All Through The Night" is yet another single that hit big but the remaining album tracks are just as good, though they are a tad more eccentric including "Witness" which is a song she wrote with John Turi for her previous band Blue Angel and with its synthy waves and little electronics eclectics, it's totally 1983 fun plus it's kind of bitchy and I love that. The hilarious 1920's Betty Boop-ish "He's So Unusual" breaks into "Yeah Yeah" with Cyndi singing one line and her Betty Boop persona speaking strange little notes behind it ("Sushi! I love sushi!") and it reminds me of a conversation with Lisa though I'm not sure why.

For bonus tracks we did what CBS should've done, included the excellant new wave stomp of "Right Track Wrong Train" the b-side from the "Girls Just Want To Have Fun" single, plus the 12" versions of "Girls" and "She Bop." Plus the 1985 single "Goonies R Good Enough" from the film The Goonies which hit the top 10 that summer and is a surprisingly insightful song. I had forgotten the lyrics after all these years and the song is really quite impressive and should not be overlooked just because of its association with the film - though anyone in my age group knows the movie is a classic. The other song she contributed to the soundtrack, another John Turi co write "What A Thrill" is also included. To round out the bonus tracks we have the 12" version of "Goonies R Good Enough" plus from the CBS release the live versions of "All Through The Night" and "Money Changes Everything." Put it all together and this is the definitive She's So Unusual and a superb way to be introduced to the greatness that is Cyndi Lauper, and particurlarly her fun girly side.

Cyndi Lauper - She's So Unusual (bub86)Track List:
01. Money Changes Everything 02. Girls Just Want To Have Fun 03. When You Were Mine 04. Time After Time 05. She Bop 06. All Through The Night 07. Witness 08. I'll Kiss You 09. He's So Unusual 10. Yeah Yeah
Bonus Tracks 11. Right Track Wrong Train 12. Goonies 'R' Good Enough 13. What A Thrill 14. Girls Just Want To Have Fun (Extended) 15. She Bop (Special Dance Mix) 16. Goonies 'R' Good Enough (Dance Remix) 17. All Through The Night (Live) 18. Money Changes Everything (Live)

bub87 Cyndi Lauper - True Colors (1986; May 8, 2007)
After conquering every pop chart and touring extensively for two years, Cyndi finally had her next album in the can by the fall of 1986, surprisingly not suffering from the sophomore slump, she instead chalked up another #1 single and a few top tens to boot. True Colors was led off by the super intense title single which hit #1, set to a small drum and some strings, its Cyndi's voice that is the eternal character in the song, speaking from the heart for understanding and self proclamation its a song she continues to cherish just as much as her fans do, now if only she could stop people from covering it we'd all be better off, but alas she didn't write it, she just made it her own. The album actually opens not with the first single but with the second single, the slightly bitter (which means I love it) "Change Of Heart" complete with The Bangles doing harmony vocals, it's one of my all time favorite Cyndi songs perhaps due to the more rock orientated sound. "Maybe He'll Know" is one of the bounciest songs Cyndi has done and in fact she is actually covering herself on this one, the original was released as a single and on the Blue Angel album from 1980, and she opted to take it to a whole new level on the True Colors version incorporating even bouncier rhtyhms and the back up doo wop vocals of Billy Joel. It's excellant, just try not to bounce along to it. Another proclomation of understanding is done on "Boy Blue" which is another example of touching lyrics from our girl - 'When she sent you on your own/ it may have stolen your innocence/ but not, no not your soul' - One of my all time favorite songs is the album cut "Calm Inside The Storm" which is essentially straight up pop in both music and lyrics, talking about trying to connect with a loved one, "I want to say something to you but I don't know what to say", but it's so bouncy and fun, I love it. Cyndi's cover of Marvin Gaye's "What's Going On" is one of the few instances where someone actually pulls off making a 60's anti-war song sound real and effective in the 80's format, and with what's happening in the world today, it fits quite effectively into 2007, and of course it gave her yet another hit, and then fading into "Iko Iko" a great little jungle thumping song from the 60's which found new revival after True Colors when the Blue Belles put it on the Rain Man soundtrack, to me it's Cyndi's version that is the best version, plus when paired with "What's Going On" you realize the political ramifications and allusions in the song. True Colors then throws us into some She's So Unusual type of new wavey pop/rock with the one, two, three hit of "The Faraway Nearby" with Til Tuesday's Aimee Mann lending her vocals, "911" a hilarious send up of love gone bad with Pee Wee Herman bopping in at the end to give a shout out to the gal who sang his TV show's theme song, and it ends with "One Track Mind" which is one of the rare instances where Cyndi seems to really being trying to hit the pop princess mode, with its synthy back beat and fairly standard lyrics about sex and relationships. True Colors was another success for Cyndi, though I think critics and fans weren't as in love with it as they were with the debut, but hey, our girl was moving forward and she wasn't going to be stuck in the thrift store hiccup all of her life.

For bonus cuts we added "Heading To The Moon" a great little ditty that was the B-side to the "True Colors" single, and one of my all time favorite singles by Cyndi, "Hole In My Heart" (I've gotta hole in my heart all the way to china/ you gotta fill it up with love before I fall inside of..) from her movie debut in Vibes (which is a much better movie than some may remember), and the 12" version of "What's Going On" and ending the album where it began, the 12" version of "Change Of Heart."

Cyndi Lauper - True Colors (bub87) Track List:
01. Change Of Heart 02. Maybe He'll Know 03. Boy Blue 04. True Colors 05. Calm Inside The Storm 06. What's Going On 07. Iko Iko 08. The Faraway Nearby 09. 911 10. One Track Mind
Bonus Tracks - 11. Heading For The Moon 12. Hole In My Heart 13. What's Going On (Club Version) 14. Change Of Heart (Extended Version)

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Monday, April 16, 2007

Guilty Pleasures Of Song








My musical tastes are all over the map, and recently I've realized just how true this is... here's some of what's been in constant rotation around my ears...

Girlfriend - Avril Lavigne (2007)
I hate this untalented pseudo punkette but this song is catchy as all hell and I can't help but like it, but the main reason is because it sounds like a Samantha Fox song from 1985 - has Avril always sounded like Samantha Fox? Does Samantha Fox know about this?

What Goes Around - Justin Timberlake (2007)
Another artist that I just can't stand yet somehow this song has worked its way into my psyche. I just can't stand looking at the dude, I know he's cute and all but he's just so gay and needs to come out of that closet and I'm still pissed about what a wimp he was during Boobgate.. my poor Janet don't need that kind of shizz in her life.

Tori Amos - Parasol (2007)
Off of her last album The Beekeeper, Tori seems to have reverted back to the greatness that was Little Earthquakes, at least on this tune. I love it and I love Tori's delivery. I thought this was from the new album as I'm apparantly a big idiot but I haven't actually heard anyting off of the new one though I'm not such a fan of the whole doll idea with a new 'character' having a song on the album and all that weird shizz she pulls, but hey it's Tori and she's eccentric so what can you do? At least the tunes from The Beekeeper (I've listened to them all now that I know what album I'm listening to) seems a little more entertaining, her last few albums had me on the floor napping.

Blue Angel - Blue Angel (1980)
This is the band Cyndi Lauper sang for prior to going solo. An album she declares sold so much it went lead. She also says the record company told her the 50's rockabilly they were doing was not going to sell and then a year later Stray Cats hit big doing the same thing. So you can tell where this music is coming from, but it's not really so much rockabilly, as it is a mixture of 80's pop, doo wop 50's style and the Shangri La's 60's. The album was released and done and gone in just a matter of months and our girl ended up bankrupt and all until her 1983 record contract. But the album is really good - there are versions of "Maybe He'll Know" and "I'm Gonna Be Strong" two songs Cyndi would later re-record on her own albums and the highlights to me, "I Had A Love" and "Fade." Cyndi's vocals are in full form and the band is pretty tight and fun. The album was released on CD for a very very limited time and I just happened to find a copy at Amoeba that I paid $16 for, more than I would normally pay but less than some greedmeisters are selling it for on Amazon.

Mary Weiss - Dangerous Game (2007)
Thanks to my pal Shae, I found out the lead singer of the Shangri La's headed back into the studio to record her first album in about 30 odd years. I'm so glad he told me and I'm so glad I bought this. Her voice is a bit deeper now but it's still that sass a frass Mary behind the mic. She even does a cover of "Heaven Only Knows" an old Shangri La's hit, and the music is very much in the vein of her former band, but with some added attitude and a few swear words here and there. I just can't believe she's waited this long to record but where ever she was hiding it's worth it, cause she sounds amazing and the songs are all really good. You can hear some of the gems at Mary's My Space page.

Carly Simon - Boys In The Trees (1978)
Everyone who reads this knows I've been on a quest to get all of Carly's old albums on CD, and the collection keeps going up. The first CD I bought of hers when I decided I loved her was 1975's Playing Possum and it has still been my favorite, followed closely by 1979's Spy and 1974's Hotcakes, but running around in there would be this 1978 effort which featured her hit "You Belong To Me" - a Michael McDonald co-write which brought her back to the top 10. The rest of the album is just as clever and meaningful as anything she had done before, probably her last collaboration with James Taylor as they would divorce a few years later, Boys In The Trees contains their duet "Devoted To You" (an old 60's Everly Brothers song), and a hilarious Jamaiccan reggae thing called "De Bat (Fly In Me Face)", and some other little gems. If you're looking for Carly, this is one to definitely get.

The Ordinary Boys - I Luv You (2006)
Okay because I do not live in the UK, I sometimes miss a few bands here and there and apparantly the Oridinary Boys is one such band, but boy was I ever missing out. Okay, to be perfectly honest this is the only song I've heard so far, taken from their 3rd album but as described by one reviewer they are the Smiths mixed up with Madness and how can that not be so right? I'm off to get their whole album and will return once I've heard it all but I don't think much could top this little pop gem. Hear it now at the Ordinary Boys myspace page.

Lucinda Williams - West (2007)
I'm not usually a big fan of the mellow country twinged stuff of people like Emmylou Harris, Patty Griffen or Lucinda Williams, but as I get older and spend more time in the company of older men like the Leivas, I realize there's a lot of poetic feelings I may have been missing out. I've found a new love for Emmylou Harris, I've discovered the genius that is Rosanne Cash, and I've pretty much given up on Patty Griffen, but Lucinda Williams as far as the album West goes, has my vote as being very talented and interesting. The lead off song "Are You Alright" is a true highlight, and I may have to check out and see if any of her other albums are as good.

Amy Winehouse - Back To Black (2007)
Another gal I had never heard of til she started making a splash with this album, it took a while for me to get into the whole album of Back To Black but as time has elipsed, I'm right there with her. One listen to "Rehab" had me hooked on her as a performer and writer but some of the other songs took me a while to get into. However, now that I've listened to it over and over, I can't get the damn thing out of my head.

and that's what I've been listening to, how about you?

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Tuesday, March 13, 2007

Brads Just Want To Have Fun



A brand new concert tour entitled True Colors is coming to a bunch of cities this summer, headlined and put together by Miss Cyndi Lauper, one of my all time favs and also on hand for the event is Debbie Harry, and you all know I kind of like her as well. So it was with excited fury that I found out the concert was having a pre sale for Human Rights Campaign members, which is me of course (they are actually fronting the bucks for the show) and with a little code from them you could buy pre sale tickets at 10 am, so I did just that - just itching with my credit card in hand and my code on the send button and what do you know, in those first five minutes every ticket for The Greek Theater in LA that was under $150 was gone by the time I got to it. I'm so peeved, I'm just happy that I did get to meet the brilliant Cyndi back when Tower Records existed (ugh another reason to cry) and I've met Miss D, and I did see them both in concert, in fact I saw Cyndi at the Greek, so perhaps as all those other HRC campaigners are prancing to "Girls Just Want To Have Fun" I'll sit at home and revisit in my mind the time I saw Cyndi live.... why do bad things happen to such angelic people as myself??

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Tuesday, March 14, 2006

#35 - 31

Welcome back for another glorious fiver where we count down 5 more classic singles from the 80s on our way to the #1 Single Of The 1980s!

#35. 99 RED BALLOONS - Nena
(Karges/Fahrenkrog Peterson)
Epic/CBS Single #34-04108 (US)/ #4074 (UK)
Chart Debut: January 21, 1984 (US)/ February 4, 1984 (UK)
Chart Position: #2 US / #1 UK

I know you're all waiting with baited breath whether I'm putting the English language version or the original German version on my list, well despite my Midwest roots where kielbasa and beer free flowly, the fact is I only know about 3 German words retained from living in Germany when I was like 5, so it's the English version I always play. In fact that was the first version I heard as apparantly my radio station didn't like playing the German version. As for the song this little bit of apocolyptic dance pop is great - though perhaps slightly morbid, but in the Cold War Days of Reagan era 80s, this is exactly what we needed. As the lyrics go, our heroine and her pal buy some red balloons at the toy store and send 99 of those puppies out into the air. As is the case with shady and trigger happy politicians, the whole scenario sets off World War III. As no one can figure out what the strange objects in the air mean, they push the button and the nuclear bombs go off. As we dance through the war, the music comes to a grinding halt and we are left in the same ballad feel we were brought in with - a synthesized wind and Nena's vocals telling us she is left alone in the nuclear fallout ("in this dust that was a city"). Luckily, she finds "a souvenir/just to prove that I was here.." and she sets one last red balloon out into the atmosphere. Don't you just love the 80s? Watch the video!

#34. CRIMSON & CLOVER - Joan Jett & The Blackhearts
(James/Lucia)
Boardwalk single #144 (US)/ Epic single #2485(UK)
Chart Debut: May 15, 1982(US)/ July 10, 1982(UK)
Chart Position: #7 US / #60 UK

Joan Jett has the gift of taking any cover song and completely turning it into her own. This follow up to her mega hit "I Love Rock & Roll", was another cover, only this time it was not quite as obscure as Tommy James & The Shondells will forever be remembered for their version of this song and their somewhat creepy arrangement. But Joan tones down the psychedelic, amps up her guitar and polishes up the production on her version making one of the cleanest sounding hard rock songs ever. Beginning with Joan's breathy "aaah", the song almost breathes life through the speaker. The change in rhythmic timing and the repeated chorus at the end fall back to the psychedelic original but that Jett-kick gives it a timeless quality that still sounds fresh some 20 years after its release, and 40 years after the original. Watch the video and see Joan chew on some roses - it's hot!

#33. TURNING JAPANESE - The Vapors
(David Fenton)
Liberty single #1364 (US)/ United Artists single #334 (UK)

Chart Debut: November 15, 1980 (US)/ February 9, 1980 (UK)
Chart Position: #36 US / #3 UK

Where punk rock began its foundation with loud, short anti-politics rants, new wave began to develop as a hybrid of that punk sound with the pop hooks of 60s surf music, full of keyboards and strange innuendo - new wave was the 80s answer to teen angst. "Turning Japanese" is sleek new wave in its early form - the music makes you pogo and the melodies make you sing along, despite the fact you're not quite sure what the real subject matter is. For years, this song has been in debate over what the lyrics actually mean. People have started with the title, which in the un PC days of 1980 was a term used to describe cumming. That's right as your eyes squinted in the throes of your climax it was said you were "turning japanese." I don't write this stuff, I just repeat it. Listening to the songs' lyrics the analysts have said this is a pure piece of masturbation euphoria - "I've got your picture/I like to kiss you when there's no one else around" - to - "No sex/no drugs/no wine/ no women" - which leaves our singer with nothing to do but send his hand heading South. My guess, is singer David Fenton heard the term and did in fact build a song about masturbation around it. With its tale of unrequited love, our hero is left using his hands a lot and may in fact be actually turning permanently Japanese - in other words permanently looking like he's in orgasm. I guess "Cumming Eyes" just wouldn't have worked for radio. Relive the new wave 80's on video here!

#32. NO MORE WORDS - Berlin
(John Crawford)
Geffen single #29360 (US)/ Mercury single #160 (UK)
Chart Debut: March 7, 1984 US
Chart Position: #23

A few years ago I went to one of those 80s revival tours, you know the ones I'm talking about where a bunch of bands reunite and tour together thus making sure promoters get their money's worth. The particular year I went the headlining band was Berlin and my pal had some backstage passes so I was all amped up to go. I was always a fan of Teri Nunn & the boys' sordid synthesized new wave sexual revolution and it is with great pleasue I can tell you that Teri Nunn has lost none of her sex appeal. She pushed her tight little body through the crowd, singing with a gusto I hadn't realized she had. It was a truly brilliant performance and when I went home and re-listened to my Berlin collection, I realized how great her voice always was. I guess I was lost in the sexualness of everything and never really paid attention to the talent that is Teri Nunn.

As for the talent, it is evident through out every single second of "No More Words." Produced by Euro pop genius Giorgio Moroder, it was Berlin's big break. Set to the synth pop grind they had already been sporting, Moroder's production just added all the more depth to the song and Teri's vocals are incredible. As for the video, does it get any better in video form to have your lead singer and guitaritst re-enacting Bonnie & Clyde? It's classy, trashy and totally 80s! Watch it here!

#31. SHE BOP - Cyndi Lauper
(Lauper/Lunt/Corbett/Chertoff)
Portrait/CBS single #37-04516 (US)/ #4620 (UK)
Chart Debut: July 28, 1984 (US)/ September 1, 1984 (UK)
Chart Position: #3 US / #46 UK

Where The Vapors left you wondering if their song was actually about masturbation, Cyndi Lauper laid it all out in the open in "She Bop." There is no doubt the song is about pleasuring yourself and making sure you know everyone bops and bops and bops. At the time of its release, I certainly did NOT know what she was talking about, but I guess that's the genius of the lyrics. Only people who had talked about it knew what "they say I better stop or I'll go blind" really was referring to. I guess no one in the third grade was talking about such things! But now they do, and now I know many who have bopped, and even got caught bopping, but somehow it's so much easier on your nerves to hear someone singing a poppy little new wave hysteric about it than actually walking in on your roommate and his favorite website. Relive the Cyndi glory on video here!

And now we all have a little time to do our own bopping, cuz I'm taking a break and will return tomorrow with songs #30-26 as we continue bopping down to the #1 Song of the 1980s according to me!

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Friday, February 10, 2006

# 85-81

and the countdown of the TOP 100 SINGLES OF THE 1980s continues with numbers
85-81!

85. NO SOUVENIRS – Melissa Etheridge
(Melissa Etheridge)
Island Single #99176 (US)/ #486 (UK)
Chart Debut: June 1989
Chart Position: #95 US/ #9 Mainstream Rock (US)

Though it’s only coincidence that Melissa Etheridge’s “No Souvenirs” ends up right after Tracy Chapman and Pat Benatar – it’s interesting to think that Melissa’s blend of rock and folk is pretty much Pat meets Tracy. Melissa takes the Benatar school for hard guitars (sometimes) and meshes them with her own folksy lyrics of lost loves and political wrongs. “No Souvenirs” was the fist single from her second album Brave And Crazy that came out a few years before she took over the world as the lesbian queen of rock. Though I know for a fact the female gay population was all over Melissa from the minute she uttered “Bring Me Some Water” in early 1988, way before declaring “Yes I Am.” But the lesbians weren’t the only ones loving up Mel, for the critics were on her side as well, and between the write ups and my old pal Rhonda Fisher, I jumped on the Etheridge wagon as well.

The thing I truly love about “No Souvenirs” and Melissa’s music is her ability to create a complete story within the forms of a four minute rock song. This single does it brilliantly as she walks us through the unresolved love affair where she is the Romeo calling from a jackpot telephone, wondering why her lover left her with nothing – no souvenirs – no shoes, no jackets, no blues, your cars for sale, you forward your mail, you’re growing your hair, you don’t wanna know where I’m calling you from, or how come…” but Mel still holds on, “If you want me you can call me, in the night you know where I’ll be…” I love the fact that Melissa was/is able to write complete albums about heartbreak and lost love without ever once giving a gender to the characters – is she singing for a boy, for a girl, does it really matter? Either way it touches the soul and we can or will all relate at one time or another. That’s great songwriting. See the video.

84. I WANT CANDY – Bow Wow Wow
(Berns/Feldman/Goldstein/Gottehrer)
RCA Single #13204 (US)/ #238 (UK)
Chart Debut: June 5, 1982
Chart Position: #64 US/ #9 UK

The brainchild of Malcolm McLaren who brought us the Sex Pistols, Bow Wow Wow retained members of Adam Ant’s The Ants and teenage sexpot Annabella. This little ditty with its jungle drum beat forged its way all the way to the top 10 in the UK, and though not nearly a hit here, its still one of those songs every one seems to remember.

Co-written by Richard Gottehrer, whose band The Strangeloves did the original in the 60s. Richard would go on to produce the first two Blondie and the first two Go-Gos album putting himself into his own little niche in the 70s and 80s pop world.

The Strangeloves’ version of “I Want Candy” used the word candy as not only a noun but also the name of the girl the singer was lusting after. In the Bow Wow Wow version with the gender switch this version created its own life. To this day, with the gender switch the line “I like candy when its wrapped in a sweater,” has been argued as a condom reference in which case the candy Annabella is after is wrapped inside said condom… mmm? Candy on the beach there’s nothing better. Watch the video here!

83. SWEET DREAMS (ARE MADE OF THIS) - Eurythmics
(Annie Lennox/Dave A. Stewart)
RCA Single #13533 (US)/ #DA2 (UK)
Chart Debut: June 18, 1983 (US)/ February 12, 1983 (UK)
Chart Position: #1 US/ #2 UK

Dave Stewart and Annie Lennox took the US by storm with this single. The title track from their second album, I doubt anyone who isn’t transfixed the minute that opening synth line begins. I recall the first time I saw the video with Annie in her shaved orange haircut, her whip, her man’s suit. I had never seen anything like it and I loved it! Though to this day I have to wonder about the cow??? See the video here.


82. GIRLS JUST WANT TO HAVE FUN – Cyndi Lauper
(Robert Hazard)
Portrait Single # 37-04120
Chart Debut: January 28, 1984 (US)/
January 14, 1984 (UK)
Chart Position: #2 US/ #2 UK

If I wasn’t so in love with so much music of the 80s Cyndi Lauper would probably take up half this list. As it is, she does make a few appearances and here is the first.

Cyndi’s debut single “Girls Just Want To Have Fun” has all the hiccupy fun and versatility as it did back in 1983 when it was first released. Originally a song called “Girls Just Want To Have Sex” written by Robert Hazard – I do believe Cyndi changed a few uncredited lines to make it a tad more commercial.

“Girls” is one of those songs that you swear you are sick and tired of hearing, until out of nowhere the song plays and you are immediately on your feet and singing along.

Cyndi with her thrift store clothes, dyed hair and effervescence, captivated me right from the beginning, and all you have to do is listen to any one of her albums to hear the real talent in her. As it turned out, her main competition at the time of her debut was a little lady named Madonna. Madonna took the world by storm, but Cyndi is the one with more talent than Lady Esther can ever hope to buy with the billions of dollars she’s made. Meanwhile, Cyndi still pumps out fairly good songs with strong voice and her hyper and loveable charisma firmly in tact. Relive the video here!

81. IN THE AIR TONIGHT – Phil Collins
(Phil Collins)
Atlantic Single #3824 (US)/ Virgin Single #102 (UK)
Chart Debut: July 11, 1981 (US)/
January 17, 1981 (UK)
Chart Position: #19 US/ #2 UK

Before anyone gets on me about actually being a fan of Mr. Phil, let me just say that I am not a particularly big fan but there is something eerie and captivating about this single and every time I hear it, I have to turn it up and sing along. Plus who doesn’t love that drum roll in the middle of the song?

The video featured Phil sitting alone in a dark room with images coming in through the window and at the end of the video his head explodes, which I must admit was rather disturbing to me as a little kid.

But the story and rumors behind the song are what really intrigue me. As the urban legend goes Phillip as a little boy witnessed a man drown one of his mates from school prompting him to write this creepy little tune. Years later, Phil invited the man to a concert, sang the song directly to him and the man went home and killed himself out of guilt. This is all of course completely made up and never really happened, but it has kept the song alive for over 20 years and every now and then when the song is played you’ll hear someone tell the story.

As for a real story, did I ever tell you about a friend of a friend of a friend’s mother who was shot in her car after grocery shopping? As it turned out, the gun shot she heard was really her can of biscuits exploding from the heat, and the brains she felt falling out of the back of her head was the dough that hit her when the can exploded… true story! I swear. Watch the freaky video here.

Well, it's no urban legend or rumor that I will be back tomorrow with our list, as we continue on with numbers 80-76!

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# 80-76

and we continue our countdown with numbers 80-76!




80. FLASHDANCE…WHAT A FEELING – Irene Cara
(Cara/Forsey/Moroder)
Casablanca Single #811440
Chart Debut: April 16, 1983 (US)/
June 4, 1983 (UK)
Chart Position: #1 US/ #2 UK

Flashdance was the very first R rated movie I ever got to see in a theater. My mother, bless her, took me and though there were a few breasts and some lesbian jokes, I don’t think the movie warped my little brain as some would think an R rated movie might.

As for the soundtrack, well, hello if it wasn’t one of the best soundtracks of the 80s I’d like to hear what you think were. With the likes of Donna Summer (“Romeo”), Laura Branigan (“Imagination”), Kim Carnes ("I’ll Be Here Where The Heart Is”) not to mention the “Maniac” ditty by Michael Sembello it has it all.Yes, with songs like this a welder by day/dancer by night with dreams of being a ballerina never had it so good. Plus the film gave a very hot lesson on how to eat lobster and massage a penis with your foot under the prying eyes of an ex-girlfriend. Oh, what the 80s taught me.

“Flashdance…What A Feeling” is of course the song that ushered out the movie and the soundtrack. Sung by the luminous Irene Cara – she had a deep voice with just the right amount of sassiness to it. Her biggest hits up to this point were from the Fame soundtrack including the hit title track and my boyfriend’s favorite – the ballad “Out Here On My Own.” But this is the essential Irene Cara.

Sung with gusto and a thumping dance beat, the song begins as a slightly exciting ballad until it explodes. I swear every time I hear it, I am right there with Jennifer Beals' stunt double dancing my way through life. However, now days, the horrid image of the other Jennifer with her big ass parading through my movie also comes to mind…but I just throw on the rest of the soundtrack and J. Lo is long gone by the time Kim Carnes starts crooning. See Irene singing Flashdance live.

79. LOVE’S BEEN A LITTLE BIT HARD ON ME – Juice Newton
(Gary Burr)
Capitol Single #5120

Chart Debut: May 22, 1982
Chart Position: #7 US Pop/ #30 US C&W

I would pass Juice Newton off as just a guilty pleasure if I didn’t firmly believe that she is a very talented vocalist, and whenever I hear her songs, I really am quite taken in. In fact I did a bubbatunes compilation of hers which ends up in rotation more often than I care to admit. When I was a kid, I ran out and bought her singles as they came out, I got “Angel Of The Morning” and I bought “Queen Of Hearts” and then I bought the whole album Juice that spawned the singles, since I loved the B-sides as well. But then the next album was released in 1982 and this poppy little piece of country called “Love’s Been A Little Bit Hard On Me” was thrown onto the radio. Of all her singles this is the one I love the most. You will also notice the song debuted on the chart on my birthday - I won't tell you which year I appeared but I thought it was failry interesting that it was the same month and day.

As for the song itself, it is similar to “Queen Of Hearts” but less country than that song – we find Juice singing overdubs like a regular Pat Benatar along with a synthy twinge telling the story of her ill fated romances. Plus the video was a complete riot with Juice’s boyfriend inadvertently causing much damage to Juice’s physique by clumsy mishaps, because, well love was a little bit hard on her. Watch the video!

78. TRUE COLORS – Cyndi Lauper
(Tom Kelly/Billy Steinberg)
Portrait Single #37-06247
Chart Debut: September 13, 1986 (US)/ September 20, 1986 (UK)
Chart Position: #1 US / #12 UK

Long before it became a Kodak commercial or a trite Phil Collins cover, Cyndi Lauper owned this ballad. Using the most minimal instrumentation, Cyndi relied on her strong voice to lead us through a subdued anthem about believing in one’s self. Written by Tom Kelly and Billy Steinberg – two boys who had begun their career by writing with or for Pat Benatar (“Fire & Ice”, “I’m Gonna Follow You” respectively) the two joined forces in 1984 and wrote “Like A Virgin” which interestingly enough was originally conceived as a ballad and for Pat Benatar. They’ve obviously since become media whores selling “True Colors” and their next Cyndi recorded song “I Drove All Night” to advertising companies but Cyndi has since reclaimed “True Colors” at least as her own – creating a special gay rights anthem - for we gay people are beautiful like a rainbow – or at least I am. Watch the video.

77. THE STROKE – Billy Squier
(Billy Squier)
Capitol Single #5005
Chart Debut: June 20, 1981 (US)/
October 3, 1981 (UK)
Chart Position: #17 US / #52 UK

Speaking of gay and beautiful, I had the hugest crush on Billy Squier as a kid. I thought he was so cute and so cool. I always thought he was singing directly to me when he would yelp his little rock songs. In 1981, when “The Stroke” came out, I was but a wee tyke addicted to buying 7” singles. Luckily, the record store sold them 3 for $5 so every time I saved enough allowance, I would beg for a ride to the store and I would get my three 45s. I remember the day I bought this single. My mother drove me to Shopko but she decided to wait in the car, as she didn’t want me wandering all day long in the store, as I had a tendency to do. So I ran into the store, searched and came out with my 3 – this time around we got “Queen Of Hearts” by Juice Newton, Pat Benatar’s “Fire & Ice” and this little oomphy number, “The Stroke.”
Interestingly enough (at least to me Billy ended up touring that summer opening for my girl Patty.)

I was way too young to really understand what Billy was implying or saying but I did know it felt dirty and I liked it. Actually to this day I’m quite surprised the song was ever played on the radio – “Stroke me, stroke! Stroke me, stroke! Say you’re a winner but boy you’re just a sinner now.” What was he saying and why did I like it so much? Apprantly, the real story is the song is about creepy music executives and the stroking of egos but I like to keep my mind more entrenched in the gutter.

As for my Billy, around 1990, I had heard he actually came out as being gay, but now I can't find any proof of it other than his performances in his videos which look a tad bit well, gay. But I really think he is gay and my gay dar is pretty damn good, and I thought he was way back then so the whole line about “make my back bone slide” and the fact I felt he was singing to me only means one thing – my gaydar was pretty intense even as a small child. Watch the performance video (and check out those jeans!) No wonder I'm gay! How many times did the word 'gay' appear in this synopsis???

76. TRUE – Concrete Blonde
(Mankey/Napolitano)
IRS Single #53053
Released: 1987
Chart Position: #42 Mainstream Rock US

Johnette Napolitano is a grunge poetess who creates interesting and believable stories in almost every song she writes. “True” is no exception to her brilliant rule, and it’s probably one of her more personal stories. To me and my best pal Lisa, this song became one of our theme songs and lines like, “When I’ve had enough/I’ll get a pick up truck and I’ll drive away/ I’ll take my last ten bucks just as far as it will go…” became something of a mantra for me. I moved to Minneapolis with $20 in my pocket and hopped a bus to LA with less than $50 and no job. But it’s also the line, “If I had a choice I’d take the voice I’ve got cause it was hard to find/I’ve come too far to wind up right back where I started,” really speaks to me. Melodically, “True” is a pop song with a simple guitar line dipping into country twang, but lyrically it’s a power house anthem that uplifts you anytime you to begin to have self doubt, for as long as you’re true those monkeys can never make a mess of you. Watch the video!

Stay true and stay tuned for tomorrow we countdown numbers 75-71!

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