Friday, November 23, 2007

7 Days Of Bubbatunes - bub97




bub97 Fleetwood Mac – Dreams
November 6, 2007

I’ve been meaning to make a Fleetwood Mac Bubbatune collection for sometime now. I love me some Mac and there are times when you just need a fix. Anyone who knows anything about the Mac’s history is sure to tell you they really hit their stride when they added Stevie Nicks and Lindsay Buckingham to their line up in 1975 and changed from a somewhat jazz band to the California rock of the 70’s that they were to become. Of course I always say, “add a little Stevie Nicks to the mix and you just can’t go wrong.”

I think a lot of Mac fans have their favorite songwriters, which is more than not, made up of Lindsay Buckingham, Stevie Nicks or Christine McVie. The three of them are the main songwriters in the band and their biggest albums usually have a couple ditties by each with a sometime collaboration between them all. Now it’s probably no surprise that I’m a big Stevie fan – I love her ethereal lyrics and crazy mysticism, but Lindsay is a very close second with his anger issues always on the surface. Of the three Christine’s songs are my least favorite but that doesn’t mean that they aren’t good by any means I mean she is the one who wrote “Don’t Stop”.
There are a few Fleetwood Mac compilations out there and I didn’t get all that creative with my track list using a lot of the same songs those others used but where the hits are here, I also opted to put on a few album tracks that are either only on a double disc collection or on the albums themselves. Of course Rumours, the 1977 gigantic selling Fleetwood Mac is represented thoroughly with the singles “Don’t Stop”, “Dreams”, “You Make Loving Fun” and “Go Your Own Way” but also included is the intense “The Chain” and one of the more overlooked songs Stevie’s “I Don’t Want To Know.” For Lindsay’s contribution to the album you need look no further than the ingenious “Never Going Back Again” which is just a rifling little guitar rift but with the infectious harmony vocals of the three singers it’s perfection.

The new line up with Stevie and Lindsay’s addition was the self titled 1975 album that launched for singles Christine’s “Say You Love Me” and the whsipy woman who rings like a bell through the night – “Rhiannon.” But the highlight to me is Stevie’s “Landslide” – a song that is often imitated but never as full of depth as when you hear Stevie’s version. In fact the only thing that comes close to the original from 1975 is Stevie’s own re-working from The Dance album with her and Lindsay playing to each other’s strengths and weaknesses.

After the much heralded Rumours album came 1979’s double album set Tusk, which had a ton of over wrought songs by all three songwriters but where they came down a few notches came out some brilliant songs including Lindsay’s USC Marching Band epic “Tusk” (don’t tell me that you love me huh!), Stevie’s haunting “Sara” (‘drowning in the sea of love/ where everyone would love to drown’) and my fav of all three a Christine composition “Think About Me” that is just as jovial as any of her romantic little endeavors but actually has a little bit of ferocity in it. I thank Lindsay for some reason.

A live album and a few solo albums came between Tusk and Mirage in 1982 but the wait was well worth it as Stevie came up with what is her best Fleetwood Mac single in my mind – “Gypsy”. The whole thing is wonderful from its upbeat tempo to Stevie’s insane vocal, not to mention her exciting lyrics and Lindsay’s super cool guitar solo at the end. The whole thing is definitely a band effort and one of my all time favorites.

But Christine does really well with her contributions to Mirage as well with the lead off single “Hold Me” which is still one of my favorite Fleetwood Mac songs and a new favorite “Love In Store”.

After more solo albums the band reunited for 1987’s Tango In The Night and came up with another huge success and some of their best singles ever – Stevie’s “Seven Wonders” is one of my favs as well as Christine’s “Little Lies” (though it really is Stevie’s ‘tell me lies’ in her vibrato that make the song), and my all time favorite and our opening cut for Dreams, Lindsay’s “Big Love” (huh huh)

After Tango In The Night the line up started changing every couple of years with Lindsay leaving, Stevie staying and then leaving, then coming back, Christine not wanting to tour etc. etc. There were albums recorded during the time and a few chart hits but with the exception of Christine’s “Skies The Limit” – a song that didn’t chart – there really wasn’t any reason to replace a great song from a well known album just to have an all inclusive time line, so songs from Greatest Hits, Behind The Mask, Time and the newest Say You Will were all shelved.

What wasn’t shelved however was an excellent little reggae-ish Stevie composition “Paper Doll” that was released as a single off of the box set The Chain, and Stevie’s live performance of “Silver Springs” from the reunion concert The Dance. It’s a song that was super important to her when she originally recorded it for the Rumours session in 1977 as she had signed over all the rights to it to her mother as a gift (the woman wouldn’t take money from Stevie). But Mick cut the song from the album going with “I Don’t Want To Know” instead as it was shorter, the original “Silver Springs” ended up as a B-side to the single “Go Your Own Way” and eventually found its way onto The Chain, but only after Stevie had personally requested use of it for her own Timespace, greatest hits collection in 1991. A request Mick refused as he wanted it for the Mac box set, and a request that could’ve been the reason Stevie left the band – that time.

Now the original song can be found on said box set as well as on Stevie’s latest greatest hits Crystal Visions and then of course there’s the live version I’ve included here which was actually a hit.

Fleetwood Mac – Dreams (bub97)
Track List:
01. Big Love 02. Don’t Stop 03. Gypsy 04. Go Your Own Way 05. Dreams 06. Hold Me 07. Little Lies 08. Landslide 09. Never Going Back Again 10. Sara 11. Love In Store 12. The Chain 13. Rhiannon 14. Say You Love Me 15. Seven Wonders 16. Think About Me 17. Tusk 18. Silver Springs (Live) 19. You Make Loving Fun 20. I Don’t Want To Know 21. Paper Doll

Labels: , , ,

Tuesday, February 13, 2007

Top 100 Singles Of The 70's - 25-21

Top 100 Singles Of The 70's - According To Bradley
#25-21

and we're back for more fun and games...and we have some doozies for you today - from a couple of schtick mongers, a new wave band of Boston fun, some repeat offenders and a classic from a big time heartbreaker.... so let's get our groove on!




#25 – Just What I Needed – The Cars
(Ric Ocasek)
Elektra single #45491 US/ #12312 UK
Chart Debut: US Pop 06/17/1978 #27 / UK 02/17/1979 #17
I always forget about the Cars. I’m not sure why but when I come up with lists or just want to hear some great new wavey type of tunes I somehow forget about the Ric Ocasek led band. But once I recall I own hteir CDs and pop them into the stereo I’m a huge fan.it was hard to pick out one single from the band that released so many good ones in the 70’s but after listening and re-listening to songs and making my little blue highlights, it always came down to “Just When I Needed.” “I don’t mind you coming here wasting all my time, time/ cause when you’re standing oh so near/ I kind of lose my mind, yeah…” how great of a line is that? Perfect lyrics with the perfect late 70’s new wave sound, this is a classic and from now on I will remember The Cars. In fact, I may be brewing up a Bubbatunes compilation in the near future.


#24 – Love Will Keep Us Together – Captain & Tennille
(Neil Sedaka)
A&M single #1672 US / #7165 UK
Chart Debut: US Pop 04/19/1975 #1 / UK 08/02/1975 #32

I have a suddenly strange relationship with Mr. Darryl Dragon and his wife these days. When I was a little kid I loved the Captain & Tennille. I used to watch their shows, and when I attended those RIF things at the elementary school one of the first books I got was the biography of these two. What can I say, I was a very strange child. I always liked their music and remember watching their variety show. A few years ago the show came out on DVD and I got it as a Christmas present and I was so happy. That is until I watched the show, I never realized Toni Tennille had such a horrible accent. She’s from Alabama and she never lost that annoyingly stupid accent. It makes everything she says sound like she’s a toothless hick. I know that’s probably prejudiced or something but just watch it for yourself and see if you can get through a scene of her talking. But now her singing voice that’s a whole different thing. With her low alto she was able to take the 70’s schtick of love and bring about some very classic singles. Of course their cover of Neil Sedaka’s “Love Will Keep Us Together” is what they’re most famous for and with good reason. The Captain’s intense keyboard work and Toni’s passioned vocals make this bouncy tune a classic 30 some years after its release. For this I can forgive that annoying speaking voice. As for the DVD, it sits on my shelf and occasionally gets thrown into the player, but I fast forward her talking and run right into the musical numbers.

#23 – Dreams – Fleetwood Mac
(Stevie Nicks)
Warner Bros single #8371 US / #16969 UK
Chart Debut: US Pop 04/16/1977 #1 / UK 07/09/1977 #24
“Dreams”
is the final Fleetwood Mac single on our list and with this Stevie Nicks penned masterpiece they come in with the second most number of singles on our list. I’m sure you know who is first. But let’s talk a little about Miss S and her crazy antics when it comes to the ethereal world of songwriting. More of a ballad than the other Fleetwood Mac singles from Rumours, this song is what launched them into the stratosphere. Her take on her break up with Lindsay, she lacks the cynicism of Lindsay and though she has some romanticism in her, she’s not as sugary sweet as Christine McVie. Instead she uses her witchy powers to create a haunting rock song, “So there you go/ you say you want your freedom/ well who am I to hold you down?” Stevie always portrays herself as a realist in lyrics, which may seems strange considering her penchant for the mystic but the fact is you never doubt the honesty in her voice or her words and she never seems to concerned with breaking down. She just picks up her shawls and goes home.

#22 – I Want You To Want Me (Live) – Cheap Trick
(Rick Nielson)
Epic single #50680 US / CBS single #7258 UK
Chart Debut: US Pop 04/28/1979 #7 / UK 05/05/1979 #29
“I Want You To Want Me”
was originally released in 1977 as a single off of the Cheap Trick album In Color. The song charted but wasn’t the huge hit nor the version that most people know. The classic version of the song comes from the live album At Budoken that was on a number of heavy metal heads turn tables in the late 70’s. A fiercely intense little fun box of music, the album launched a number of singles but it was the highly infectious version of “I Want You To Want Me” that became the major hit. The song is great, and I can’t believe how fast and furious the live version is compared to the rather pale recorded version from two years before. Robin Zander’s radar like vocals had me confused for years. What the hell is that second verse I wondered FOR YEARS, and the fact that I still sung the song and turned it up without knowing the lyrics shows you just how good of a song it is. But for those of you, who like me could never quite make out all the lyrics, I’ve learned they are quite a bit easier to understand on the studio version and have finally heard what he’s saying, “Shine up the old brown shoes/ Put on a brand new shirt/ get home early from work / if you say that you love me…” Of course I think we all know, “Didn’t I/ didn’t I/ didn’t I see you crying?/ didn’t I/ didn’t I/ didn’t I see you crying” but the rest goes, “Feeling all alone without a friend/ you know you feel like dying”… I tell you that Robin can be a real Motormouth Mabel.
#21 – American Girl – Tom Petty & The Heartbreakers
(Tom Petty)
Shelter single #62007 US / Island single #643 UK
Chart Debut: UK 08/13/1977 #40
It’s kind of strange to think that one of the most popular Tom Petty singles never even hit the top 100 in his home land yet was a top 40 hit over seas right out of the box. Perhaps it was promotion or some other crazy thing, but it is one of the best singles of the 70’s, okay perhaps the 21st best single of the 70’s. One of the more bouncy singles in Petty’s career, the rock beat bounces right from the beginning, “Well she was an American Girl/ raised on promises/ she couldn’t help thinking/ that there was a little more to life somewhere else…” Yet another example of a great opening line. Almost everyone I know can relate to the idea of trying to find out what is around the corner, what would happen if you just packed up and left. I know I’ve had those feelings and never ever regret on acting on any of them. My favorite lines come about when Petty puts us right into the girl’s mind, “Well it was kind of cold that night/ she stood alone on her balcony/ yeah, she could hear the cars roll by/ out on 441 like waves crashing on the beach/ and for one desperate moment there/ he crept back in her memory/ god it’s so painful when something that’s so close/ and still so far out of reach…” I love it, and the chorus isn’t bad either.
and there you have our latest in our long line of 70's classics, stay tuned for next time when we wrap up the top 20 and head on into the top 10 Singles of the 70's!

Labels: , , , , , , , ,

Friday, February 09, 2007

Top 100 Singles Of The 70's - 35-31

Top 100 Singles Of The 70's - According To Bradley
#35-31
Today we have a little bit of an excercise routine in store for you - you get to whistle, you get to dance all night long and that's just to try and get the music out of you - have you gotten any little clues about today's 5 singles? Good... either way, good.


#35 – Can’t Smile Without You – Barry Manilow
(Chris Arnold/ David Martin/ Geoff Morrow)
Arista single #305 US / #176 UK
Chart Debut: US Pop 02/04/1978 #3 / UK 05/06/1978 #43

Don’t you laugh at me! All you have to do is hear the opening whistle on Barry’s “Can’t Smile Without You” and I dare you to turn it off. Well maybe you would still turn it off but I’m telling you, you would regret it. I always liked Barry just a little bit but when this song was used in the film Unconditional Love with Kathy Bates and Rupert Everett and even Barry showed up in the film, I was hooked all over again. It’s the perfect little pop song for the Manilow man, it’s silly sweet and so damn catchy you just can’t shake it.


#34 – If You Think You Know How To Love Me – Pat Benatar
(Nicky Chinn/Mike Chapman)
Chrysalis single #2373
Released September 1979 - Not charted
You didn’t really think I could forget about my Patti did you? Pat’s first album In The Heat Of The Night wasn’t released until October so her number of 70’s singles is of course pretty narrow. “If You Think You Know How To Love Me” was the first cross world single released from the album. A steamy and seductive mid tempo rock song, it had been a hit a few years before for the band Smokie. Pat’s version however is so much better. Not only is it Pat which just makes it 100% better than anything, but it is also a lot more rocking. Maybe not rocking in the sense of hard metal heaviness, but the guitar churning through out it and the cymbals banging on every third note of the chorus is a pretty intense listen. The best thing about the song is the atmosphere, you feel the lyrics as Pat punches through them and you see the imagery as if you’re there with the Benatar; “A reckless night in a nameless town/ and we moved out of sight with a silent sound/ a beach that wept with deserted waves/ that’s where we slept knowing we’d be safe…” and her point of defiance, “now you may think you can walk on the wild, wild side with me/ but there’s a lot I’ve learned and a lot that I’ve yet to see…” but she eventually takes down her guard long enough to give out the ultimate challenge, “If you think you know how to love me/ and you think you know what I need/ and if you really really want me to stay/ you’ve got to lead the way/ yes, if you think you know how to love me/ and you think you can stand by me/ and if you really, really want me to stay/ you’ve got to lead the way.” The single didn’t do anything chart wise but it was a seductive opener to what was to become the hottest rock chick of the 80’s.


#33 – I Was Made For Dancin’ – Leif Garrett
(Lloyd)
Scotti Bros single #403 US / #11202 UK
Chart Debut: US Pop 11/11/1978 #10 / UK 01/20/1979 #4
One more little ditty I never expected to find on my list and definitely not scoring so high but here’s the gist kids, so sit back. When I decided to make this list I hit the internet and record stores high and low finding every 70’s song I knew but didn’t have. After a successful trip I found Leif Garrett’s “I Was Made For Dancin’” on a 70’s comp. I thought if anything at least that will be a nice jaunt through the cheesiness that was the 70’s version of American Idol. What I didn’t know is how good the song actually was going to be. Combining the ultimate in 70’s music, the pop and disco beats so prevelant, the song chugs along at a fast and furious pace with the greatest production this side of an early Benatar album, “You’ve got me rollin’ like a wheel on the road/ round and round with no place to go/ I’ve got to find out if you’re feeling it too/ It’s hard to tell so here’s what I do/ and everytime I want more/ I’ll take you out on the floor…” begins Leif’s transgression to the top 10.

The chorus is a highlight, “I Was Made For Dancin’/ ah ah ah all night long…” I love it. I mean there’s even a bass driven breakdown in the middle of it. After I finally had all the songs I knew had a shot at being in the top 100 I made three mp3 discs of over 300 songs and then highlighted which ones got me jamming along, as that list dwindled this song just kept staying on the list. Finally when I was down to the top 100 I highlighted again, and anything in ‘blue’ were the ones I really really liked. The songs in which I found myself singing along with, bopping to and turning up. By now you can guess that crazy ass lunatic formerly known as Leif Garrett really got me dancin’ ah ah ah all night long.




#32 – I’ve Got The Music In Me – Kiki Dee Band
(Boshnall)
Rocket single #40293 US/ #12 UK
Chart Debut: US Pop 09/14/1974 #12 / UK 09/07/1974 #19
Poor Kiki, one of the biggest mysteries in the world of music, she is best known for the Elton John duet “Don’t Go Breaking My Heart” which she made two years AFTER this single, but after that it seems she just disapperared from the face of the Earth. It’s really too bad as she had quite an incredible little voice. “I’ve Got The Music In Me” is one of those songs that always popped into my head, kind of like “I’ve got rhythm/I’ve got style…” just something that would pop in the noggin’ if someone was doing something a little off kilter like singing or dancing horridly. Then I got the Captain & Tennille DVD and Toni performed this song. I discovered two things, one the lyrics to “I’ve Got The Music In Me” were really cool and I hated Toni Tennille’s accent and attitude. So I decided to track this ditty down and what do you know, Kiki’s version kicks ass. Not only is it a rocking song full of guitars and horns and her scratchy voice, it’s also not as cheesy or over the top as I had thought it would be. As I had figured, the lyrics are great, and the arrangement is perfect. Beginning with just a guitar, Kiki kicks in, “Ain’t got no trouble in my life/ no foolish dreams to make me cry/ I’m never frightened/ I never worry/ You know I always get by…” Yes, I know the story of my life huh? Then the song turns up a notch, “I heat up/ I cool down/ If something gets in my way/ I go ‘round it/ Won’t let life get me down/ I’m gonna take it the way that I found it” and the chorus “I’ve got the music in me” which is just repeated over and over but it’s pretty great. The arrangement changes repeatedly through out the song with a fake psych out about the ending, where you think it’s over only for the song to get kicked up again. And that voice of hers on here is so great. She didn’t sound like this on “Don’t Go Breaking My Heart” I can tell you that much. Of course, it’s always the verses that really do it for me and they are filled with the idea that she always knows things will work out as she has the music in her, which I love. Who frickin’ knew?


#31 – Go Your Own Way – Fleetwood Mac
(Lindsay Buckingham)
Warner Bros single #8304 US / #16872 UK
Chart Debut: US Pop 01/08/1977 #10 / UK 02/19/1977 #38
The 70’s version of Fleetwood Mac had the main songwriting duties shared by Christine McVie, Stevie Nicks and Lindsay Buckingham. Of those three they seemed to all channel into their own personal ideals, Christine the hopeless romantic always writing songs of love and usually an upbeat message of some sort, Stevie, the eternal dreamer with her warped words of the occult and nuance, and Lindsay, the cynic, always the hot head waiting to unleash a lyrical hatred. I love him. I also love when I know what a song is really about and go back and hear the lyrics putting together the pieces of what was in the writer’s mind. The songs on Rumours are all about love being thrown away or breaking up and Lindsay’s are the most pissy, the highlight being the album track “The Chain”, but a very close follow up is one of the album’s first singles “Go Your Own Way.” A sort of attack on Stevie about their break up, “Loving you isn’t the right thing to do…” begins the lyric before the whirling Lindsay guitars pick up the pace and Mick’s chug a chug drum beats follow suit, “If I could I’d give you my world/ how can I/ when you won’t take it from me?” and by the chorus he’s telling her to go her own way. I wonder how strange it must feel to sing along with the man when you know he’s singing about how awful you are? I guess that’s called professionalism and Fleetwood Mac is most definitely a professional band. “Go Your Own Way” may be Lindsay’s slap back to Stevie but it’s a pop classic that still sounds good today and I bet even Stevie is so way past the whole thing.

Y'all come back as we begin our descent into the ultimate in the top singles of the 70's - and we have so much more to talk about cuz well, I've got the music in me and I simply must share it with you...

Labels: , , , , , ,