Tuesday, February 13, 2007

Top 100 Singles Of The 70's - 25-21

Top 100 Singles Of The 70's - According To Bradley
#25-21

and we're back for more fun and games...and we have some doozies for you today - from a couple of schtick mongers, a new wave band of Boston fun, some repeat offenders and a classic from a big time heartbreaker.... so let's get our groove on!




#25 – Just What I Needed – The Cars
(Ric Ocasek)
Elektra single #45491 US/ #12312 UK
Chart Debut: US Pop 06/17/1978 #27 / UK 02/17/1979 #17
I always forget about the Cars. I’m not sure why but when I come up with lists or just want to hear some great new wavey type of tunes I somehow forget about the Ric Ocasek led band. But once I recall I own hteir CDs and pop them into the stereo I’m a huge fan.it was hard to pick out one single from the band that released so many good ones in the 70’s but after listening and re-listening to songs and making my little blue highlights, it always came down to “Just When I Needed.” “I don’t mind you coming here wasting all my time, time/ cause when you’re standing oh so near/ I kind of lose my mind, yeah…” how great of a line is that? Perfect lyrics with the perfect late 70’s new wave sound, this is a classic and from now on I will remember The Cars. In fact, I may be brewing up a Bubbatunes compilation in the near future.


#24 – Love Will Keep Us Together – Captain & Tennille
(Neil Sedaka)
A&M single #1672 US / #7165 UK
Chart Debut: US Pop 04/19/1975 #1 / UK 08/02/1975 #32

I have a suddenly strange relationship with Mr. Darryl Dragon and his wife these days. When I was a little kid I loved the Captain & Tennille. I used to watch their shows, and when I attended those RIF things at the elementary school one of the first books I got was the biography of these two. What can I say, I was a very strange child. I always liked their music and remember watching their variety show. A few years ago the show came out on DVD and I got it as a Christmas present and I was so happy. That is until I watched the show, I never realized Toni Tennille had such a horrible accent. She’s from Alabama and she never lost that annoyingly stupid accent. It makes everything she says sound like she’s a toothless hick. I know that’s probably prejudiced or something but just watch it for yourself and see if you can get through a scene of her talking. But now her singing voice that’s a whole different thing. With her low alto she was able to take the 70’s schtick of love and bring about some very classic singles. Of course their cover of Neil Sedaka’s “Love Will Keep Us Together” is what they’re most famous for and with good reason. The Captain’s intense keyboard work and Toni’s passioned vocals make this bouncy tune a classic 30 some years after its release. For this I can forgive that annoying speaking voice. As for the DVD, it sits on my shelf and occasionally gets thrown into the player, but I fast forward her talking and run right into the musical numbers.

#23 – Dreams – Fleetwood Mac
(Stevie Nicks)
Warner Bros single #8371 US / #16969 UK
Chart Debut: US Pop 04/16/1977 #1 / UK 07/09/1977 #24
“Dreams”
is the final Fleetwood Mac single on our list and with this Stevie Nicks penned masterpiece they come in with the second most number of singles on our list. I’m sure you know who is first. But let’s talk a little about Miss S and her crazy antics when it comes to the ethereal world of songwriting. More of a ballad than the other Fleetwood Mac singles from Rumours, this song is what launched them into the stratosphere. Her take on her break up with Lindsay, she lacks the cynicism of Lindsay and though she has some romanticism in her, she’s not as sugary sweet as Christine McVie. Instead she uses her witchy powers to create a haunting rock song, “So there you go/ you say you want your freedom/ well who am I to hold you down?” Stevie always portrays herself as a realist in lyrics, which may seems strange considering her penchant for the mystic but the fact is you never doubt the honesty in her voice or her words and she never seems to concerned with breaking down. She just picks up her shawls and goes home.

#22 – I Want You To Want Me (Live) – Cheap Trick
(Rick Nielson)
Epic single #50680 US / CBS single #7258 UK
Chart Debut: US Pop 04/28/1979 #7 / UK 05/05/1979 #29
“I Want You To Want Me”
was originally released in 1977 as a single off of the Cheap Trick album In Color. The song charted but wasn’t the huge hit nor the version that most people know. The classic version of the song comes from the live album At Budoken that was on a number of heavy metal heads turn tables in the late 70’s. A fiercely intense little fun box of music, the album launched a number of singles but it was the highly infectious version of “I Want You To Want Me” that became the major hit. The song is great, and I can’t believe how fast and furious the live version is compared to the rather pale recorded version from two years before. Robin Zander’s radar like vocals had me confused for years. What the hell is that second verse I wondered FOR YEARS, and the fact that I still sung the song and turned it up without knowing the lyrics shows you just how good of a song it is. But for those of you, who like me could never quite make out all the lyrics, I’ve learned they are quite a bit easier to understand on the studio version and have finally heard what he’s saying, “Shine up the old brown shoes/ Put on a brand new shirt/ get home early from work / if you say that you love me…” Of course I think we all know, “Didn’t I/ didn’t I/ didn’t I see you crying?/ didn’t I/ didn’t I/ didn’t I see you crying” but the rest goes, “Feeling all alone without a friend/ you know you feel like dying”… I tell you that Robin can be a real Motormouth Mabel.
#21 – American Girl – Tom Petty & The Heartbreakers
(Tom Petty)
Shelter single #62007 US / Island single #643 UK
Chart Debut: UK 08/13/1977 #40
It’s kind of strange to think that one of the most popular Tom Petty singles never even hit the top 100 in his home land yet was a top 40 hit over seas right out of the box. Perhaps it was promotion or some other crazy thing, but it is one of the best singles of the 70’s, okay perhaps the 21st best single of the 70’s. One of the more bouncy singles in Petty’s career, the rock beat bounces right from the beginning, “Well she was an American Girl/ raised on promises/ she couldn’t help thinking/ that there was a little more to life somewhere else…” Yet another example of a great opening line. Almost everyone I know can relate to the idea of trying to find out what is around the corner, what would happen if you just packed up and left. I know I’ve had those feelings and never ever regret on acting on any of them. My favorite lines come about when Petty puts us right into the girl’s mind, “Well it was kind of cold that night/ she stood alone on her balcony/ yeah, she could hear the cars roll by/ out on 441 like waves crashing on the beach/ and for one desperate moment there/ he crept back in her memory/ god it’s so painful when something that’s so close/ and still so far out of reach…” I love it, and the chorus isn’t bad either.
and there you have our latest in our long line of 70's classics, stay tuned for next time when we wrap up the top 20 and head on into the top 10 Singles of the 70's!

Labels: , , , , , , , ,

Friday, February 10, 2006

# 70-66

and our countdown continues with numbers 70-66!

70. BETTE DAVIS EYES – Kim Carnes
(DeShannon/Weiss)
EMI America single #8077

Chart Debut: May 16, 1981
Chart Position: #1 US / #10 UK

I love Kim Carnes and she had herself a few brilliant singles through out the 80s but “Bette Davis Eyes” stands out as her crowned achievement. I’m not the only one who feels that way, as this song is one of the biggest selling records of the entire decade. It spent countless weeks at #1 and shows up on almost every other 80s compilation. A cover of a Jackie DeShannon song, it was Kim’s keyboardist who came up with the idea of adding the synth line and made the song the classic it is. I still love the video from the opening scene of the wind blowing off the shroud covering Kim’s face to the new wave zombies dancing and slamming their fists on the floor to the drumbeat. Kim would release more new wavey rock songs through out the decade before going back to the country stylings she was doing prior to this single, but it’s the years of 81-86 that Kim really triumphed. Watch the video.

69. MAJOR TOM (COMING HOME) – Peter Schilling
(Lodge/Schilling)
Elektra single #69811 (US)/ WEA single #9655 (UK)
Chart Debut: November 11, 1983 (US)/ May 5, 1984 (UK)
Chart Position: #14 US / #42 UK

Obviously inspired by David Bowie, this little German boy named Peter Schilling decided to retell David Bowie’s story of Major Tom from “Space Oddity” in the 80s land of synth pop. For me, it totally worked, I just love this song and in all of its strange 80s darkness. Whether a huge David Bowie fan feels the same way, I’m not sure, but as a one off hit, this is what the 80s was really all about – 4, 3, 2, 1 Earth below us, drifting, falling…. Watch the rare video.

68. JUST LIKE HEAVEN – The Cure
(Gallup/Smith/Thompson/Tolhurst/ Williams)
Sire single #69443 (US)/ Friction single #FIC27 (UK)
Chart Debut: January 9, 1987 (US)/ October 7, 1987 (UK)
Chart Position: #40 US / #29 UK

A classic for the alterna set – this song is one of the cheerier in the Cure canon and Robert Smith probably cringes every time he thinks about all the college co-ed kids in pastels bopping along with “Just Like Heaven.” But regardless, he created a timeless tune that still has me bopping around no matter what pastels I’m wearing. Watch the video.

67. DESTINATION UNKNOWN – Missing Persons
(Bozzio/Bozzio/Cuccarello)
Capitol single #5161
Chart Debut: 1982
Chart Position: #42 US

“Life is so strange when you don’t know/how do you get to where you’re going to/you can’t be sure of any situation/something could change and then you don’t know…” and so begins the LA new wave stylings of sex pot Dale Bozzio and her band which included that well hung hunk Warren Cuccarello. Together for only a few short years, Missing Persons came up with some classic songs but no “Words” or “Mental Hopscotch” can replace the flamboyant fun appeal of not knowing where you’re going to. Watch the video.

66. STOP DRAGGIN’ MY HEART AROUND – Stevie Nicks with Tom Petty & The Heartbreakers
(Tom Petty/Mike Campbell)
Modern single #7336 (US)/ WEA single #79231 (UK)
Chart Debut: August 1, 1981 (US)/ August 15, 1981 (UK)
Chart Position: #3 US / #50 UK

Backing out of the uber cool new wave songs, we find ourselves in good old-fashioned rock and roll royalty with our first Stevie Nicks single in our countdown. I will never hide the fact that I love Stevie with extreme passion. I do believe she’s a tad eccentric, but I think she’s completely fine with that, and if ever there was a performer who knew exactly who she was it’s Miss Nicks in all of her witchy glory. I believe her to be a great poetess who can charm just about rock man in her presence. All you have to do is read the liner notes to her greatest hits package to know every song is somehow inspired by or written because of a man – a man who was somewhere on the rock charts between 1975 and 1990. One such man is Tom Petty, who went to work and wrote this little ditty as Stevie’s debut solo single. “Stop Draggin’ My Heart Around”, although, written by others, Stevie completely makes it her own and it’s barely a duet with Tom singing one key line and melody for the chorus. In fact, you can tell it comes from Stevie’s gut when her deep vibrato chimes in, “There’s people running around loose in the world/ Ain’t got nothing better to do/ than make a meal of some bright eyed kid/ you need someone looking after you….” I was that bright-eyed kid and I had Stevie’s music to look after me. Watch the video and look for Stevie's bad lip synching - she says on the DVD for Crystal Visions she didn't know all the words so she would just turn and stare adoringly at Tom Petty. Who knew she was such a riot?

Come back next time as I continue to drag this countdown all around the musical map!

Labels: , , , , , , ,